Ghostland movie review

For those of us who are into the horror movie genre, Pascal Laugier is a familiar name. He earlier brought us “Martyrs” , a movie that even to this day keeps shocking its audience (and french horror is known for not being shy about breaking a few boundaries here and there). He’s also behind two lesser known horror movies: “House of Voices” aka “Saint Ange”, and “The Tall Man” , the latter being more of a mystery thriller. In other words: I couldn’t help but being at least a little curious about Mr. Laugier’s new addition to horror, “Ghostland” .

The story follows a mother and her two daughters as they are on their way to their new home: an old country house they’ve inherited from her aunt. Early on, we learn that one of the girls (Beth) loves writing horror stories, which causes a bit of jealousy in her sister (Vera) as their mother keeps encouraging Beth’s talents. We also learn that Beth is quite a fanciful personality – an important hint which will make sense later on.

On their first night in the new home, they’re attacked by intruders who’s intent is murder – two characters that are so over-the-top that they’re almost a little unbelieveable: a skinny goth-looking transvestite and a huge ogre-looking freak who is (of course) retarded. And they’re driving a candy truck. Oh yes. However, even though the villains are a bit too much, they actually fit well inside the already weird country house filled with creepy dolls and strange knick-knacks.

While “Ghostland” does not shock or repulse in the same way as “Martyrs” did, it’s still an intense and suspenseful movie, and shows that Laugier’s still got what it takes.